Rock Paintings

Rock paintings were painted on rock and were more naturalistic depictions than petroglyphs. In paleolithic times, the representation of humans in cave paintings was rare. Mostly, animals were painted: not only animals that were used as food but also animals that represented strength like the rhinoceros or large cats (as in the Chauvet Cave). Signs like dots were sometimes drawn. Rare human representations include handprints and half-human/half-animal figures. The Cave of Chauvet in the Ardèche département, France, contains the most important preserved cave paintings of the paleolithic era, painted around 31,000 BC. The Altamira cave paintings in Spain were done 14,000 to 12,000 BC and show, among others, bisons. The hall of bulls in Lascaux, Dordogne, France, is one of the best known cave paintings from about 15,000 to 10,000 BC.

The meaning of the paintings remains unknown. The caves were not in an inhabited area, so they may have been used for seasonal rituals. The animals are accompanied by signs which suggest a possible magic use. Arrow-like symbols in Lascaux are sometimes interpreted as calendar or almanac use. But the evidence remains inconclusive.[citation needed] The most important work of the Mesolithic era were the marching Warriors, a rock painting at Cingle de la Mola, Castellón in Spain dated to about 7,000–4,000 BC. The technique used was probably spitting or blowing the pigments onto the rock. The paintings are quite naturalistic, though stylized. The figures are not three-dimensional, even though they overlap